Little Endian SpectrumWorx v2.0.1

Little Endian has announced the release of SpectrumWorx version 2.0 for Windows in the form of a VST effect plug-in. Branded as "the ultimate sound mangler", SpectrumWorx is said to represent Little Endian's latest advances in the frequency domain effects processing. Version 2 has been rebuilt from the ground up since being acquired from DelayDots, the company says.

Features:
• Over fifty modules (pitch shifter, classic vocoder, wah-wah, robotizer, wobbler, autotune, reverser, etc.).
• Sophisticated engine optimized for low CPU usage.
• Flexible Preset browser.
• Over 100 presets.
• Highly configurable LFOs.
• External audio support.
• Presets in XML format.
• Detailed User's Guide.

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Image Line - Harmless STANDALONE FLi VSTi v1.0.6

Harmless is an additive synthesizer doing subtractive synthesis. Or if you prefer, a subtractive synthesizer powered by an additive synthesis engine. You may ask: why? Image Line says "there are too many subtractive synthesizers already, often bragging about being virtual analog. This one is digital, and proud to be. Everything is fake, the tone generator, the filter & its resonance, the phaser, all performed on the harmonics, before partials are computed".

Harmless is more than a proof of concept, it allows fine control that wouldn't be possible through classic subtractive synthesis. Filtering and phasing can be assigned unusual shapes & slopes, something normally only possible through offline digital filters. Filter slopes can even be defined in Hz instead of octaves. Finally, you get control on each partial's frequency, creating timbres definitely impossible using common synthesis methods.

Harmless is additive doing subtractive. Harmonics are not produced to be filtered, the timbre is filtered before being generated. This may sound like a detail, but generating sounds this way offers a lot more advantages than drawbacks. Powered by a highly optimized, multi-threaded additive engine, CPU usage is comparable to the one of traditional subtractive synthesizers, especially for low-passed timbres. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU. Harmless was limited by design. No tabs, no hidden controls, no multi-point envelopes. All features are visible at once, and color-grouped. Over 100 parameters, most of which being automatable, are laid over a clear GUI.

Simpler to program, yet packed with evil features. Under the hood, you will find unique options, like linking the phaser's output to partials frequencies. The LFO section can act as a special modulation source, linking the phaser's width to the velocity, or the pitch to the filter's envelope. Of course, Harmless also offers features typically unique to additive synthesis, like its automatable harmonic mask. Harmless is also packed with effects, the usual chorus, delay & reverb, but also a multi-band compressor/limiter powered by Maximus itself. It also inherited the powerful unison from Sytrus.

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Plug-In Conspiracy Plug-Ins Bundle VST 1.0 HACKED

HACKED NOTE: All of those plugins are hacked and now they can report correct plugins' name to your DAW. Enjoy this fine release!.

VU Meters
This is a stereo pair of standard-compliant VU Meters. While most digital audio workstations feature peak metering, the classic VU Meter seems to be almost forgotten. But, in contrast to a peak meter, it has a much longer integration time and can therefore give information on the average levels and long term dynamics rather than just the short peaks.

Beast+Beauty
This plug-in shapes transients by continuously comparing several envelope followers with different time constants. What's special about it is, that all envelope followers work in the logarithmic domain, making the process completely independent of input levels. The process works best on percussive signals.

Buss Compressor
The Buss Compressor is a modern VCA-type compressor, especially tailored for program material. It features a feedback topology with a soft knee depending on the ratio, making the compression smooth and musical.

Console EQ
The Console EQ is inspired by the channel equalizers of classic mixing desks. There are three bands with �} 15 dB of gain each. The filters are very smooth and their shapes are highly gain and frequency-dependent, making this EQ very intuitive and musical.

Saturator
The Saturator increases the perceived loudness, warmth and harmonic content of the audio material by applying a smooth non-linear characteristic. It can be used to maximize or inflate a mix or to simply increase the impact and punch of single tracks.

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